Music Mock Test

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Music Mock Test Questions and Answers

1. Shudh Nishad of Hindusthan music is known as ___________ in Carnatic music.
(A) Teevra Nishad
(B) Kaishiki Nishad
(C) Kakali Nishad
(D) Komal Nishad

2. Raag Ahir Bhat is called ____________ in Carnatic music
(A) Kharaharapriya
(B) Chakravaka
(C) Ananda Bhairavi
(D) Sindhu Bhairavi

3. The frequency of Shudh Madhya is __________ times higher than Shadaj.
(A) 4/3
(B) ½
(C) 2
(D) 3

4. Ustad Allauddin Khan was born in
(A) Manipur
(B) Shivpur
(C) Jaipur
(D) Rampur

5. Ustad Imdad Khan is a ___________ artist.
(A) Sarod
(B) Saarangi
(C) Sitar
(D) Surbahar

6. ___________ is common in Hameer and Kamod.
(A) Ga Ma Dha Pa
(B) Ma Pa Dha Pa
(C) Ma Re Pa Pa
(D) Ga Ma Ni Cha

7. ___________ Swara has got only Alanghan Bahutva in Raag Puriya Dhanasri.
(A) Sa
(B) Ga
(C) Ma
(D) Pa

8. Malgunji Raag belongs to __________ Thaat (Mel).
(A) Kalyan
(B) Bilaval
(C) Khamj
(D) Kaafi

9. ____________ is expandable from the group.
(A) Udaatta
(B) Kampita
(C) Anudaatta
(D) Swarita

10. __________ was the very first Saam composition.
(A) Purvachink
(B) Alaptigan
(C) Mudgala
(D) Nibadh Gaan

11. __________ is expandable from the group.
(A) Taansen
(B) Tulasidas
(C) Brijchand
(D) Shreechand

12. Pt. Kumargandharva ponularized __________ Bhajans.
(A) Marathi
(B) Meera
(C) Nirguni
(D) Soordas

13. Baba Allauddin Khan Invented Raag
(A) Parameshwari
(B) Rangeshwari
(C) Hem Bihag
(D) Tilak Shyaam

14. __________ is expandable tram the group.
(A) Haasa
(B) Shoka
(C) Khrodha
(D) Roudra

15. As per the ancient Rasa concept Gandhar and Nishad Swaras create __________ Ras.
(A) Karun
(B) Veera and Shringar
(C) Bhakti
(D) Adbhut

16. Khaali of the Hindusthani Taal is also called
(A) Taali
(B) Sannipaat
(C) Vikshep
(D) Visarjitam

17. __________ is an exclusive element of Dhrupad Gayaki.
(A) Taan
(B) Laykari
(C) Upaj
(D) Murki

18. Pt. Ramashrey Jha wrote
(A) Abhina Geet Manjari
(B) Abhinava Bhava Bandish
(C) Abhinav Geetanjali
(D) Abhinav Geet Mala

19. Name of author of ‘Bharat Ka Sangeet Siddhant’.
(A) Acharya Brihaspati
(B) V. N. Bhatkhande
(C) Dr. Premlata Sharma
(D) V. D. Paluskar

20. What is ‘Ela’?
(A) Jati
(B) Moorchhana
(C) Prabandha
(D) Alankar

21. ‘Vichitra Vina’ is similar to the Indian instrument of South
(A) Tanjore Vina
(B) Katyayani
(C) Sursingar
(D) Gottuvadyam

22. ‘Bharatarnava’ is an important source material on
(A) Nataka
(B) Abhinaya and nritta
(C) Atodya
(D) Sangeeta

23. Not a ‘tala’ in the Sapta Tala Scheme of Karnatik Music
(A) Mathya
(B) Dhruva
(C) Chapu
(D) Ata

24. ‘Fard’ belongs to which Gharana?
(A) Banaras
(B) Delhi
(C) Punjab
(D) Lucknow

25. Who is the tikakar of ‘Sangeet Ratnakar’?
(A) Sharang Dev
(B) Lochan
(C) Narad
(D) Singh Bhupala

26. ‘Ladidar’ is a kind of Gayan style of Hindusthani semi-classical form
(A) Thumri
(B) Tappa
(C) Tribat
(D) Tillana

27. ‘Hallisak Nritya’ is a dance form mentioned in
(A) Ramayana
(B) Mahabharata
(C) Khil Harivansha
(D) Natyasastra

28. A ‘Ghana Vadya’
(A) Pancamukha Vadya
(B) Jalara
(C) Tavil
(D) Maddalam

29. Total matra of ‘Jhoomara Taal’
(A) 14
(B) 16
(C) 7
(D) 8

30. Some times used in ‘Raga’
(A) Vivadi
(B) Vadi
(C) Samvadi
(D) Anuvadi

31. ‘Natural minor scale’ in Western Music is similar to a mela raga in Karnatic Music.
(A) Dhira Sankarabharanam
(B) Mecha Kalyani
(C) Natha bhairavi
(D) Hanumattodi

32. Kind of ‘laya’ are
(A) Two
(B) Three
(C) Four
(D) five

33. ‘Sopana Sangeet’ is practiced in
(A) Kerala
(B) Andhra Pradesh
(C) Karnataka
(D) Maharashtra

34. A ‘classical dance form’ of Kerala
(A) Kaikotlikali
(B) Koodiattam
(C) Mohiniyattam
(D) Kalattam

35. Which is not a ‘Janaka Raga’?
(A) Keeravani
(B) Bhairavi
(C) Mayamalavagoula
(D) Todi

36. An important ‘treatise’ on Indian Dance
(A) Abhinaya Darpanam
(B) Manasollasa
(C) Natya Shastra
(D) Manimekhalai

37. “Aji e akashmajhe ki amritabeena baje”—this line is from
(A) Akashe aj kon choroner
(B) Akash amay bhorlo alloy
(C) Akashe tor temni ache chhuti
(D) Dekechen Priyotomo

38. Which is the first song of ‘Prem paryay’?
(A) Amare koro tomar beena
(B) Bhalobashi Bhalobashi
(C) Chitto pipashito re
(D) Tomarei koriachhi jiboner dhrubotara

39. Corresponding to ‘Mohana raga’ in Hindustani Music
(A) Bilawal
(B) Malkauns
(C) Ahir Bhairav
(D) Bhupali

40. How many prakaras of ‘Avanaddha Vadya’ are mentioned by Sarngadeva?
(A) 20
(B) 21
(C) 22
(D) 23

41. What is the ratio of Hindusthani Suddha ‘RE’?
(A) 27
(B) 98
(C) 43
(D) 32

42. ‘Matta Tala’ is constituted with the Matras
(A) 15
(B) 17
(C) 18
(D) 21

43. ‘Sangeet sar Samgraha’ is a book written by
(A) Sabai Pratap Singha
(B) Khetramohan Goswami
(C) Swami Prajanananda
(D) V. N. Bhatkhande

44. Name the composer of the song “Tobo charananimne utsabomoyee”.
(A) Dwijendralal Roy
(B) Atulprosad Sen
(C) Rabindranath Tagore
(D) Rajanikanta Sen

45. “Deko na amare, deko na . . .” belongs to the category
(A) Puja
(B) Bichitra
(C) Prem
(D) Swadesh

46. ‘Goddess Saraswati’ is associated with
(A) Vichitra
(B) Katyayani
(C) Mahati
(D) Kacchapi Vina

47. ‘Tarikh-e-Firuzsahi’ is written by
(A) Tansen
(B) Abul Fazal
(C) Fakhir Ullaha
(D) Jiauddin Varani

48. Tal used with ‘sadara’ style of singing
(A) Matt tal
(B) Tivra
(C) Jhaptal
(D) Rupak

49. Which of the following two Ragas are in the combination of ‘Ahir Bhairav’?
(A) Bhairav + Kaffi
(B) Bhairav + Bageshri
(C) Bhairav + Desh
(D) Bhairav + Ahir

50. ‘Utsava Sampradaya keertanas’ are written by
(A) Tyagaraja
(B) Dikshitar
(C) Syamasastry
(D) Papanasam Sivan